Denny Camino at Gallery 444 PTown
Opening on Friday night.
I paint because I am compelled to. I have a primitive compulsion to create paintings. My paintings are influenced by my walks that I take every day on the Cape. They represent internal as well as external landscapes that exist within and around us all. These paintings are not a horizon line but rather a section of a circle. Like life, they are infinite. I reduced the shapes down to fields of color. I use a push/pull method of design as a means of expression. I also created a series of acrylic paintings. For these, I let the paintings take me where they wanted to go.
Denny Camino at Gallery 444 PTown
Opening on Friday night.
I paint because I am compelled to. I have a primitive compulsion to create paintings. My paintings are influenced by my walks that I take every day on the Cape. They represent internal as well as external landscapes that exist within and around us all. These paintings are not a horizon line but rather a section of a circle. Like life, they are infinite. I reduced the shapes down to fields of color. I use a push/pull method of design as a means of expression. I also created a series of acrylic paintings. For these, I let the paintings take me where they wanted to go.
Denny Camino at Gallery 444 PTown
Opening on Friday night.
I paint because I am compelled to. I have a primitive compulsion to create paintings. My paintings are influenced by my walks that I take every day on the Cape. They represent internal as well as external landscapes that exist within and around us all. These paintings are not a horizon line but rather a section of a circle. Like life, they are infinite. I reduced the shapes down to fields of color. I use a push/pull method of design as a means of expression. I also created a series of acrylic paintings. For these, I let the paintings take me where they wanted to go.
Denny Camino at Gallery 444 PTown
Opening on Friday night.
I paint because I am compelled to. I have a primitive compulsion to create paintings. My paintings are influenced by my walks that I take every day on the Cape. They represent internal as well as external landscapes that exist within and around us all. These paintings are not a horizon line but rather a section of a circle. Like life, they are infinite. I reduced the shapes down to fields of color. I use a push/pull method of design as a means of expression. I also created a series of acrylic paintings. For these, I let the paintings take me where they wanted to go.
Denny Camino at Gallery 444 PTown
Opening on Friday night.
I paint because I am compelled to. I have a primitive compulsion to create paintings. My paintings are influenced by my walks that I take every day on the Cape. They represent internal as well as external landscapes that exist within and around us all. These paintings are not a horizon line but rather a section of a circle. Like life, they are infinite. I reduced the shapes down to fields of color. I use a push/pull method of design as a means of expression. I also created a series of acrylic paintings. For these, I let the paintings take me where they wanted to go.
Ingrid Scheibler at Gallery 444 PTown
Opening on Friday night.
Artist Statement
My paintings are a pictorial conversation in real time. In genuine dialogue one has to be open to the presence of otherness, be it another person, tradition, history, or a work of art.
I approach the canvas in an improvisational dialogue I want to explore but don’t know its end point. I see the physical space of the canvas as containing the conversation as it is played out through marks, gestures, intention, accident, space, and materials. This process of discovery is alive with energy, sometimes frustration, and animated by both formal concerns and a psychological awareness of the facts of embodiment and embeddedness in a web of relationships—person, woman, mother, wife, sister, daughter.
I am painting my side of the conversation as well as the other voice, and being open to this other voice is what animates my work and allows it to unfold on the canvas. Kinetic energy is generated by a dialogue of complementary opposites: abstract/figurative, hard edge abstraction and more gestural painting, control and accident, order and chaos, humor and pathos.
Website: www.ingridscheibler.com
Ingrid Scheibler at Gallery 444 PTown
Opening on Friday night.
Artist Statement
My paintings are a pictorial conversation in real time. In genuine dialogue one has to be open to the presence of otherness, be it another person, tradition, history, or a work of art.
I approach the canvas in an improvisational dialogue I want to explore but don’t know its end point. I see the physical space of the canvas as containing the conversation as it is played out through marks, gestures, intention, accident, space, and materials. This process of discovery is alive with energy, sometimes frustration, and animated by both formal concerns and a psychological awareness of the facts of embodiment and embeddedness in a web of relationships—person, woman, mother, wife, sister, daughter.
I am painting my side of the conversation as well as the other voice, and being open to this other voice is what animates my work and allows it to unfold on the canvas. Kinetic energy is generated by a dialogue of complementary opposites: abstract/figurative, hard edge abstraction and more gestural painting, control and accident, order and chaos, humor and pathos.
Website: www.ingridscheibler.com
Ingrid Scheibler at Gallery 444 PTown
Opening on Friday night.
Artist Statement
My paintings are a pictorial conversation in real time. In genuine dialogue one has to be open to the presence of otherness, be it another person, tradition, history, or a work of art.
I approach the canvas in an improvisational dialogue I want to explore but don’t know its end point. I see the physical space of the canvas as containing the conversation as it is played out through marks, gestures, intention, accident, space, and materials. This process of discovery is alive with energy, sometimes frustration, and animated by both formal concerns and a psychological awareness of the facts of embodiment and embeddedness in a web of relationships—person, woman, mother, wife, sister, daughter.
I am painting my side of the conversation as well as the other voice, and being open to this other voice is what animates my work and allows it to unfold on the canvas. Kinetic energy is generated by a dialogue of complementary opposites: abstract/figurative, hard edge abstraction and more gestural painting, control and accident, order and chaos, humor and pathos.
Website: www.ingridscheibler.com
Ingrid Scheibler at Gallery 444 PTown
Opening on Friday night.
Artist Statement
My paintings are a pictorial conversation in real time. In genuine dialogue one has to be open to the presence of otherness, be it another person, tradition, history, or a work of art.
I approach the canvas in an improvisational dialogue I want to explore but don’t know its end point. I see the physical space of the canvas as containing the conversation as it is played out through marks, gestures, intention, accident, space, and materials. This process of discovery is alive with energy, sometimes frustration, and animated by both formal concerns and a psychological awareness of the facts of embodiment and embeddedness in a web of relationships—person, woman, mother, wife, sister, daughter.
I am painting my side of the conversation as well as the other voice, and being open to this other voice is what animates my work and allows it to unfold on the canvas. Kinetic energy is generated by a dialogue of complementary opposites: abstract/figurative, hard edge abstraction and more gestural painting, control and accident, order and chaos, humor and pathos.
Website: www.ingridscheibler.com
Ingrid Scheibler at Gallery 444 PTown
Opening on Friday night.
Artist Statement
My paintings are a pictorial conversation in real time. In genuine dialogue one has to be open to the presence of otherness, be it another person, tradition, history, or a work of art.
I approach the canvas in an improvisational dialogue I want to explore but don’t know its end point. I see the physical space of the canvas as containing the conversation as it is played out through marks, gestures, intention, accident, space, and materials. This process of discovery is alive with energy, sometimes frustration, and animated by both formal concerns and a psychological awareness of the facts of embodiment and embeddedness in a web of relationships—person, woman, mother, wife, sister, daughter.
I am painting my side of the conversation as well as the other voice, and being open to this other voice is what animates my work and allows it to unfold on the canvas. Kinetic energy is generated by a dialogue of complementary opposites: abstract/figurative, hard edge abstraction and more gestural painting, control and accident, order and chaos, humor and pathos.
Website: www.ingridscheibler.com